Posts Tagged Writing

Tools for Writing 6 – yWriter

We’ll be looking at a PC tool in this part of the series, and it’s one that is squarely aimed at the structured approach.  yWriter is produced by Spacejock Software, and as you can probably tell from the developer’s moniker, is designed and built by an SF writer, Simon Haynes.  Like some other tools that have been reviewed here. yWriter is free to download, but unlike some of the others it is actively being developed and supported.  There is an active user community and there are even video walk-throughs to watch on the website.  There is an opportunity to donate if you find the software useful.

yWriter Main Screen

The opening screen (shown right) provides an insight into yWriter. You see the main project window with chapters arranged in the left pane and the description associated with those chapters in the panel below.  The main panel has a number of tabs showing Scenes, Project Notes, Characters, Locations and Items.  Clicking on a chapter in the side-panel shows the scenes, etc. for that chapter in the main panel.

yWriter aims to structure your work into chapters which then comprise multiple scenes.  Clicking on a scene shows a preview of that scene in the bottom of the main panel, along with Characters, Description, Locations, Items, Scene Notes and Goals for that scene.

Writers working on multiple projects, or writers with large and complex works will know that it is sometimes hard to keep track of all the information associated with their work-in-progress and yWriter aims to address this by giving you ample opportunity to document what you are doing and build structure around your work. Read the rest of this entry »

,

No Comments

Tools for Writing 5 – FreeMind

As part of my series on tools for writing, I wanted to take a look at, not only tools for drafting and editing your work, but also tools to help you plan what you write and structure your thoughts.

In this post we’ll be looking at FreeMind, a mind-mapping tool which allows you to organise and structure your ideas.  FreeMind runs on a variety of platforms and is an Open Source project, so it is entirely free.  Don’t be put off by the fact that this is not a commercial product – it is well-supported, under continuous development and is downloaded about 6,000 times a day – so it’s a very popular product.  I have used it for years and found it to be very reliable.  You will need Java runtime on your machine to run it, though, but that is also free and many people will already have it installed.

Basic Mind Map (click to expand)

When you first open FreeMind, this is the screen with which you are presented (this is on a Mac, on Windows it adopts the Microsoft look and feel).  There is a menu, a toolbar with usual Save, Print, Copy Paste etc with a vertical toolbar with lots of small icons.

In the centre of the screen is an oval with the word “New Mindmap” in it.  If you type at this point it will replace these words with a title of your choosing, usually the subject of this particular map.

If you are familiar with the techniques of mind-mapping then you are going to be right at home, but if you haven’t used this technique are are unfamiliar with it then I would suggest you read the Wikipedia entry on Mind-Mapping, which is agnostic of any tool, or get hold of Tony Buzan’s book Mind Mapping: Kickstart your creativity and transform your life.  The claim may be hyperbole but it is an interesting book.

As a very quick introduction for the uninitiated, mind mapping allows you to connect thoughts and ideas to a central concept and then connect and re-organise those ideas in a non-linear manner allowing increasing levels of detail.  It’s like an ever-expanding tree of ideas, notes, concepts, reminders and thoughts, specifically arranged around a central concept. Read the rest of this entry »

,

5 Comments

Tools for Writing 2 – RoughDraft 3.0

In my last post I went into some detail as to why Microsoft Word was not the best tool for creating long works of fiction, not because it was bad software, but because it wasn’t designed for that purpose.  In this post I am going to offer you an alternative piece of software which is designed for exactly this task and has the added benefit of being free to use.

The software is called RoughDraft 3.0 and is produced by Richard Salsbury who is himself a writer.  You can download the software and check out Richard’s writing on his website here.  Unfortunately, Richard is no longer developing the software, but apparently it runs under Windows Vista and Windows 7, and personally I have found it to be extremely reliable.

As you can see, it is running here under Windows XP Pro.  If you have a Mac you can, apparently, run it under Wine or as I do, under a Windows OS in VMware Fusion.  I will, by the way, be looking at writing tools for the Mac platform too, later in this series of posts.

Across the top you get the usual windows menu button bar which may be displayed stacked, as shown here, or as one long menu to maximise vertical screen space.  You can also turn these off and use shortcut keys or menu options.  Below these is the main editing window, shown here with five files open, with a tab for each one, and the current file highlighted.

Read the rest of this entry »

,

No Comments

Tools for Writing 1

Recently I have been trying out a new piece of writing software and, in due course, I’m going to write a review of it, but first the obvious question.  Why not use Microsoft Word?

The answer to that question is not simply answered by saying that MS Office is expensive compared to alternatives (unless it’s bought for you by your company) and that it can be unstable (as evidenced by the periodic swearing on the internet when a .doc file becomes corrupted).

This last one is contentious.  People will say that it wasn’t Word’s fault, but rather some other software; a driver, an operating system issue, some malware infection.  They say you should do backups, save copies, be more careful.  They may be right, but it’s no comfort to the person who just lost a piece of writing that they cannot easily reproduce.  Ah, they will say, but you configure auto-save, and that backs it up for you.

Well, yes, and no.  I could wear body armour all the time in case I trip and hurt myself, but I don’t because I don’t expect to fall over.  Nor do I expect a word processor to corrupt my work.  I shouldn’t need to automatically back up every two minutes in case that happens.  It shouldn’t happen.  In contrast I used a different piece of software to write 150,000 word novel editing multiple versions over a five year period.  It never crashed once.

MS Word is a general purpose word processor aimed at the business user.  It’s an excellent tool if you want to write a letter, compile a report, knock up a CV, make some notes or write a business proposal.  If you are writing a report and it goes over 20,000 words you are not being sufficiently concise.  If you have a CV of over 2,000 words you are going to be asked to shorten it.  These are not long documents, and MS Word handles them well enough.

On top of being a capable word processor, MS Word adds in additional functionality.  It supports table structures, language changes, structural elements, tables of contents, embedded spreadsheets, preconfigured styles and hundreds of other features.  It is almost a desktop publishing platform.  It integrates with other software and collaborates with SharePoint and Office platforms.  It’s a corporate communications platform.  Indeed, the product has become so overwhelming rich in functionality that by the time Word 2003 was released, Microsoft were hiding features from the user to reduce the impression of complexity.

These features aren’t much use to a fiction writer, though.  What writers mainly want is text, and lots of it.  One font is enough, in the same size, with bold and italic.  Maybe another for titles or emphasis, but that’s it.  We want to configure line-spacing as single, 1.5 or double.

Then we want the ability to handle large volumes of text.  A business report might be 5,000 words.  Your dissertation may be 20,000 words.  But if you’re writing a novel you want to be able to easily handle over 200,000 words.  This is an order of magnitude greater in size, but in computing terms we are talking about a file that is less that 2Mb in size – not exactly taxing.

What happens when you’re typing in Word and it autosaves a 200,000 word document?

If you’re lucky, it stops responding for a while and then bursts back into life, streaming the characters you were typing while it autosaved onto the screen like a ghostly typist.  If you’re not lucky, it crashes.  If you have live spell-check activated, it stalls when that engages too, and when it grammar checks, should you be foolish enough to have that enabled.  Insert something at the beginning of the document and the entire thing may repaginate.

Of course, you can turn these features off in the Options screen, but if you do, it’s off.  You no longer have autosave or live spell-check.  You can trigger spell-check manually, but make sure you save first because it may just crash.  As documents get larger, the lag becomes more of a problem.  It’s not because of the hardware – we’re talking about a 2Mb file here – it’s the way it works.

Many writers break their work up into chunks.  For me, chapters works quite well.  Have you tried working on nine different files at once in Word?  How about thirty?  There’s no way to know what’s saved and what’s not, which document is which, and where you are in the stack of files.  The titles on the icons get compressed to the point of unreadability and the desktop is a mess of open windows.  Then autosave kicks in, resulting in a potential multi-file pile-up of epic proportions.

Let’s assume we persevere.  Open up twenty files, each containing a chapter and rename the character we previously called Jim to Charles wherever it is used in those twenty files.   This is exactly the sort of thing a writer is wont to do.

Search across multiple files?  No.  We have to go through them one by one.  Ah, say the Windows enthusiasts, you can use Windows Desktop Search for that, or Google Desktop Search, or something similar.  But there’s a problem with that.  We only want to change the name Jim to Charles in the current version of thirty files that we’re working on.  We have twelve other earlier drafts, each with their own set of files, saved on the hard drive and we want to leave those alone.  A desktop search finds every instance in every file and it’s down to us to find which ones need changing.  Another nightmare.

The truth is that MS Word simply isn’t intended for writing novel length work.  It’s not that it’s bad software – it’s very good software, as evidenced by the millions of users who use it for business and domestic tasks worldwide, but it’s not intended for writing books.  It is simply not the right tool for the job.

Luckily there are a number of tools which do this job very well indeed.  Many of them are priced for a budget pocket or free to use, which is a bonus, and all of them are aimed at writers.  Over the next few weeks I will take a look at some of them in the context of Tools for Writing.  Hopefully you’ll find one that’s sympathetic to what you’re trying to do.


,

3 Comments

Genre and Taxonomy

I’ve been thinking about genre lately. It came up as a panel topic at PCon and there was a lively discussion about what constituted genre and how that affected books. Cheryl Morgan came up with an erudite and academic-sounding definition. I wish I’d written it down.

One of the conclusions of the panel was that there are two types of genre, marketing genre and category genre. The purpose of marketing genre is pretty obvious. If bookshops had to read every book before they could stick it on the shelves then they would never sell any books. By allowing the marketing department of the publishers to categorise the books for them, they can appropriately shelve the books so that people can find and purchase them. Marketing genre allows readers to enter bookshops and limit their browsing to a part of the bookshop, saving time and making it more likely that they will purchase a book. At least that’s the theory.

Category genre is harder to pin down. I think we can all agree that Robert Ludlum’s Bourne series are thrillers, whereas Jane Austin is classic literature. The problems come when the boundaries blur. I’ve previously posted a recommendation for Phil Rickman’s – Merrily Watkins books, which are crime/mystery with horror elements. Another strong recommendation is for Janet Evanovich’s – Stephanie Plum novels, starting with One for the Money. I can’t tell you whether it’s a crime/mystery, thriller or comedy. All I can say is that while reading it on the train, the person sitting opposite tapped me on the wrist and asked me what the book was, I’d been laughing so much. At the same time, some of the later books in the same series are genuinely creepy.

The concept of marketing genre leads us to create a hierarchy where there are major categories like Crime, Romance, SFF and then Fantasy breaks down into High/Epic Fantasy, Urban Fantasy, Dark Fantasy, Paranormal Romance, etc. but as with the books mentioned above, the hierarchy degrades where the genres blur. You can end up with Thomas Harris: The Silence of the Lambs (Crime or Horror?) next to Carl Hiaasen: Hoot (Mystery/Comedy) – two very different books.

I’ve already said that the purpose of marketing genre is to sell books. If you like a book then you are likely to purchase another work by that author or by another writer in a similar vein. Some authors even change names when writing in different genres. I found out why they do this when I picked up a Janet Evanovich novel on the strength of her Stephanie Plum books and found it was a fairly lightweight romance. Let’s just say it wasn’t what I expected.

Some suggest that genre should be broadened out. I’ve heard people say that SF and Fantasy should be under Speculative Fiction, but it’s a writer’s job to speculate. The one question authors continually ask is: What happens if?  There is as much speculation in John Le Carré: The Honourable Schoolboy as there is in Arthur C Clarke’s Rendezvous With Rama, so where does that leave us?

Category genre is misleading. It invites us to divide books using an taxonomy – comedy, suspense, horror, romance, fantasy – but these are not genres, they are the the tools of writing and a good story may use all of them, forging them into new alloys of meaning and understanding.

Readers, though, want to be able to find books that they will enjoy, and marketing genre allows us to support this to a limited extent. Category genre, on the other hand, serves to perpetuate a reading habit that continually narrows into sub-genres. Readers are encouraged through category genre to read everything in a narrow field until it is exhausted. This can lead ultimately to a sense of dissatisfaction, since by limiting choice to a narrow field the books become formulaic and repetitive. This is especially true where a sub-genre, or a sub-sub-genre becomes highly fashionable as in the case of kick-ass girls in leather pants with vampires, which can be traced through Urban Fantasy to Contemporary Fantasy to SF & F in the genre hierarchy.

When I went into Foyles in London recently, a very well-respected bookshop, I was shocked to discover an entire wall of Young Adult Teen Vampire novels. I was also surprised to discover that Waterstones seems to have re-branded Horror into Dark Fantasy. This is great for the teen vampire lovers but leaves some excellent Horror writers without a natural home. Incidentally, it did amuse me to see Joe Hill’s – Heart Shaped Box among the Paranormal Romance.  Someone is in for a nasty surprise.

I am guessing that the wall of YA vampire books will be a temporary affair. Once the rush to be the next twilight dies down, the shelf will vanish like a vampire in a tanning booth, but the re-branding of Horror to Dark Fantasy may persist, and though it will be greeted by some with trepidation (What, no Horror?) it may not be a bad thing in the long term. The books from the Horror shelves will be re-shelved elsewhere, perhaps next to a Carl Hiaasen or a John Le Carré and some readers will see them for the first time, and maybe pick them up and give them a try, breathing new life in to the readership.

Can we contemplate a world of books without genre? If you want to try this for yourself, go along to Daunt Books in Marylebone High Street in London. Apart from the charming architecture, it is worth visiting because it is not organised into genre, but by geography. In the section on Italy you will find books on Tuscan Cooking alongside Lindsey Davies’ – Falco Mysteries. In the books on the United States you are likely to find Raymond Chandler’s – The Big Sleep, next to Jim Butcher’s – Harry Dresden novels. It’s a refreshing experience.

For myself, I try not to be limited or constrained by genre, while respecting genre boundaries and delivering on my readers expectations. It makes my books difficult to file, but hopefully interesting to read.

, ,

No Comments