Archive for category Strangeness and Charm
I am delighted to be able to share the new cover for Strangeness and Charm 3rd edition. As some of you may know, Alex is probably my favourite character from the series and this is her book. I wanted something that would reflect her emergence into adulthood with all the snags and spurs that brings.
Alex looked down. Around her arms, strange vines and coloured leaves emerged in patterns on her flesh, winding down to emerge in coiled tangles around her wrists. There strange buds emerged, dark and shiny.
Strangeness and Charm, the third in The Courts of the Feyre series will be released in the next week or so.
To celebrate the release of Strangeness and Charm in the UK, I thought I would follow up my previous post with some more on the church at Kilpeck. in Herefordshire.
I said in my post, Publication Day: Strangeness and Charm, that while he outside of the church was fascinating, the inside held even more surprises. The first thing of note is that the church is not exactly aligned along the east-west axis, as it normally would be, but is offset by a small amount. The reason for this is not obvious until you discover that an underground watercourse runs directly beneath the church, and the church is aligned with that, rather than the compass.
Inside, the church is in two distinct sections – the Nave is lined with dark wooden pews and is separated from the Apse, which was added later, by a high stone arch. Into the pillars of the arch are carved six monks and each monk holds a token. The tokens are: a cross, a key, a feather, a scourge or flail, an arrow, and a rod or sceptre. The carvings are quite clear and the monks do not look as if they carry their burdens with ease.
Beyond the arch, on the floor to the right hand side is a mark in the stone, normally covered by a mat or square of carpet. The mark shows a four-lobed shape, like a clover or a highly stylised cross. The origins and purpose of this mark are unknown. On visiting the site, I couldn’t avoid the impression that the monks are hiding or protecting what lies beyond in the apse, and that this duty weighed heavily upon them. Clearly, though, that protection worked, since the church and all the carvings are still there, while the neighbouring castle is not.
You might be able to discern from John Couthart’s beautiful cover that the six objects play a central part in the story of Strangeness and Charm, and that the church and the relics are bound in with the story. As a writer it led me to ask myself what it was that the monks were protecting, and why such a thing would be placed in a minor church when only twelve miles up the road there’s Hereford Cathedral.
I hope you will enjoy the discovery of what the strange mark is for, and why those particular objects are carved into the pillars of the arch.
Strangeness and Charm was released in the UK on 7th June 2012 and is available from all good bookshops.
The 29th May is the official US publication day for Strangeness and Charm, the third in the series The Courts of the Feyre, and it’s cause for celebration here at Shevdon Manor. For your delectation, the kind folk at Angry Robot Books have posted a sample for you to whet your appetite upon, which I hope will encourage you to go out and acquire a copy.
To celebrate, I thought I would share with you a little of the research that inspired the book. This is the church of St Mary and St David at Kilpeck in Herefordshire, a little south and west from Hereford itself. This is a remarkable building in many ways, not least for its age – it was built around 1140, replacing the saxon church that preceded it.
I’m not a geologist, but the archway appears to be carved from pink sandstone and is remarkably well preserved. Around the door are the most fantastic carvings – mythical creatures, angels, animals and looping vines, carved all around the doorway. You can see for yourself that it is a portal of significance.
The tops of the walls around the church are decorated with corbels – an architectural term for a bit sticking out to provide additional support – which are again carved into strange creatures, knights, animals and faces. The most rare of these is a sheila-na-gig – a female figure displaying exaggerated vulva. There are very few of these left in Europe and Kilpeck has one of the best examples still in existence.
That’s not the only significant thing about this particular church, though. The church stands next to what remains of a castle which was slighted (demolished to prevent further use) by the parliamentarian forces during the English Civil War, at around 1645. The castle is a grassy mound with a few remnants of a wall. The church, however, is untouched.
You might not think that was remarkable, given that it is a church, but these were puritans and were against the decoration and ornamentation of churches. There are any number of churches throughout England where statuary was pulled down, murals obliterated and stone carvings chiselled off.
Many of my stories begin with the questions: why and what-if, and in this case the obvious question – why was a church bearing pagan imagery and the naked and blatantly sexual image of a woman left completely untouched by a puritan army, while the castle right next door was utterly demolished?
What if the reason the church wasn’t touched was that it was protected? And what if the reason it was protected was that it held something that needed to be kept safe and hidden away?
What’s in the church then becomes interesting, but that will be the subject of my post for the UK launch on June 7th, when we will discover even more mysteries in this fine building.